Sketching a Jazzy Evening at JCCAC

Alvin recently got a message from Kylie, the lead singer of La Petite Jazzy Jam, a local jazz ensemble, who would be playing at JCCAC. “We’re playing! Come and draw us!” she said. A message was then promptly sent out to sketchers. Although the event was free, we still needed to notify Kylie about the number of tickets required. Quite a few of us responded with enthusiasm. Concert sketching? Fun! There’s so much to focus on - shiny instruments, musicians deeply engrossed and in the flow, and stage lighting meant dramatic shadows and wild colors - a pleasant departure from our usually natural palettes, and all while being highly entertained too. 

We had a quick dinner at a little restaurant close to JCCAC in Shek Kip Mei, and were joined by visiting sketchers from Manchester, Will and Pat. The evening was one of the first that felt wintery this December, and after a pleasant chat and warm food in our bellies, we trooped across the street to meet Kylie. 

Located at the Black Box Theatre in the basement of JCCAC, the concert that evening would consist of 2 sets. The first was by an amateur smooth jazz group, Smooth Gen, and the next by Kylie’s snazzily named La Petite Jazzy Jam. She welcomed us warmly, then proceeded to brief us on what was to happen that evening, generously inviting us to sit anywhere we chose. Each set would last about 50 minutes, giving us plenty of time to warm up, settle in and get some interesting pieces done.

The bands were to perform on the floor at entrance level. Stadium-style seating rose in rows before them, and we could sit wherever we chose.There were 14 of us in total, and we arrayed ourselves around the theatre, some sitting right behind the musicians, some in the front row, some flanking the band, some higher up for a different vantage point. 

Stools and chairs unfolded, tools were set out, and much squinting happened as the interior was typical of a musical evening and thus quite dimly lit. 'Appropriately atmospheric' would be another way to see things. As performances progressed, some sketchers used their phones to light their sketchbooks while others gamely took a wild stab at color combinations, making the one iPad used that evening shine a touch brighter as a versatile option under such conditions.

After much foot-tapping and head-bobbing along with the music, the evening ended with a Show-and-Tell to share the fruit of our labors. We mingled, chatted and took many, many photos. Both organizers and participants beamed at the outcome. The musicians in particular seemed as thrilled to be the focus of our work, as we were to sketch them. Concert sketching again anyone?



Alvin Wong

Ben Luk

Chickita Kwan

Chloe Ka Kei Yau

Elena Klimova

Guillaume How-Choong

Magi Chen

Noble Wong

Sandy Hau

Ming Lee

Oi Ling

Rob Sketcherman

 Romy Wu

Catherine Chan

Hungry Ghost Festival 盂蘭勝會

Hungry Ghost Festival in Orthodox Chinese Culture (A tradition well-preserved in Hong Kong)

It's believed that on the 1st of July of the Lunar Calendar, the gate of the underworld opens and for the whole month, ghosts wander on the face of the earth. During this month, people burn offerings and place food on streets so that hungry ghosts can be fed. Different village associations also construct temporary temples and street theatres which host special Chiu Chau Opera performances both for the public and for the ghosts as well.

We would like to thank our friend Sylvia Midgett for the awesome tour of the festival.

Alison Hui

Catherine Chan

Chickita Kwan

Stella So

 Chloe Ka Kei Yau

 Cynthia Pong

 Elena Klimova

 Gary Yeung

Guillaume How-Choong

 Noble Wong

Sarah Li

Sandy Hau

Alvin Wong

Heanu Kang



Helen Chan

Ben Luk

Carrie Leung

Berwick Street Old Tenement Buildings

Trees are growing on the walls and above these old buildings in Berwick Street, Shek Kip Mei, creating a very interesting cityscape of Hong Kong. I tried to do this sketch with looser lines.

By Noble Wong

Noble Wong's Sketch Blog: https://www.facebook.com/noblesketch?fref=photo